Every part of his performances had to be in every way real. Costume, set, actors, emotions, staging. Everything. His audience had to be so captivated by the intensity and reality of the performances that they would feel as though they were watching this performance on a street, through the window- anywhere real. He did everything possible to create that real atmosphere and scene.
Stanislavski's drawing of the set design for Act 3 of Seagull.
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